Madeleine and I are not really editioners. We usually both make one-off pieces. So making editions is a bit of an anathema for us. We have both made a promise to TRY and keep a record of what paper we have used and how we made certain marks on a plate. I once saw a fabulous technicians note book at the Peacock studio in Aberdeen filled with a record of a prints progress how the colours were mixed and what colours went where.
This work is for the background page of our 'Wave Book'. Drawn with inks and water based pigment
These lithography prints are for the pages of the 'Shell Book'. The lithography plate that has proved to be a bit of a fight. On Japanese paper. They are waiting for another layer.